An artist's impression of Deshou Palace, which is being transformed into a Southern Song Dynasty Museum showcasing ancient economic, scientific and technological developments. [Photo provided to China Daily]
Venue to be transformed into Southern Song Dynasty Museum
When historians discuss business development and technological advances in ancient China, they often refer to the Song Dynasty (960-1279)-the "golden age" for such achievements.
The economy prospered during this dynasty, bank notes first appeared, compasses, gunpowder and movable type printing were invented, and the technologies for making porcelain were refined. Major breakthroughs were also witnessed in mathematics and astronomy.
In Science and Civilization in China, a series of 27 books by British scientist and Sinologist Joseph Needham (1900-95), the author wrote that the country was, for a time, well ahead of the West in developing several fields of knowledge, including magnetism and optics.
Needham also said that Chinese advances in engineering were, at least until 1500, "frequently superior to anything which Europe could show."
In Hangzhou, capital of Zhejiang province, a major archaeology and restoration project ongoing at the site of Deshou Palace is expected to restore the complex and transform it into a Southern Song Dynasty Museum, which will stage exhibitions showcasing economic, scientific and technological developments during the Song Dynasty.
Deshou Palace, or the Palace of Morals and Longevity, was the residence of Qin Hui, a prime minister at the Song Dynasty court. It later became home to two former emperors during the Southern Song Dynasty (1127-1279). Emperor Gaozong, whose reign began in 1127, retreated to the palace after leaving the throne in 1162, as did his successor Emperor Xiaozong in 1189.
According to literary works, the Deshou Palace layout was similar to that of the Southern Song Dynasty imperial city. It comprised more than 10 halls and courtyards, including the Deshou, Houdian and Lingzhi halls. There were also a large number of exquisite landscaped gardens, comparable to those in the imperial city.
Meng Chao, designer at the Zhejiang Institute of Traditional Architectural Design and Research, has been in charge of the restoration project team since 2020.
The project is expected to be completed in three main stages-architectural restoration, site exhibition and digital display, according to Meng.
"As the first and basic step, the location and scale of each building will be clarified through the archaeological restoration process," he said.
Research of the site and reviews of related documents helped form a clear picture of the characteristics and construction methods used for each building.
A wooden bracket from Deshou Palace. [Photo by Fang Xiaoying/China Daily]
Meng's team went to great lengths to decide which building materials to use for the restoration.
"We studied unearthed cultural relics and also architecture in the same area from the same period of time. We also examined buildings in paintings from the Song Dynasty," he said.
"Our team has done a lot of work comparing different kinds of wood and tiles. After carrying out extensive research and seeking the opinions of other experts, we finally chose to mainly use teak to restore the palace.
"We also made clay tiles based on the size and materials used for unearthed Song Dynasty tiles. When knocked together, the tiles have a clear sound, similar to that of metal."
Tang Junlong, engineer at the Zhejiang Institute of Traditional Architectural Design and Research, a member of the project team, said archaeological excavations at the site cover an area of 6,900 square meters.
Lang Xufeng, director of the World Cultural Heritage and Famous Cities Protection Division at the Hangzhou Municipal Bureau of Gardening and Cultural Relics, said that since 2001, archaeologists have conducted four excavations at the site, finally determining that the palace covered a total area of 170,000 sq m.
The palace buildings and gardens are being restored. Exhibitions at the restored complex will showcase the everyday life of emperors and the public during the Southern Song Dynasty and will also feature excavated and collected porcelain, calligraphy and other works of art.
Xu Jijun, former director of the Zhejiang Academy of Social Sciences' Institute of History, said the authorities in Hangzhou have launched a comprehensive protection program for ruins from the Southern Song Dynasty. Deshou Palace is one of the most important sites in this program, along with the ruins of Lin'an City, the name by which Hangzhou was known during this dynasty.
"At that time, Kaifeng, capital of the Northern Song Dynasty (960-1127), and Lin'an, capital of the Southern Song Dynasty, were both world-leading international metropolises and fashion and lifestyle centers," he said.
"The residents' lifestyle"
The palace restoration site. [Photo by Fang Xiaoying/China Daily]
les, including food, tea ceremonies, fashion, flower arrangements, sports activities, travel, games and toys, have all had a great influence on our lives today and also on the world."
Since the site was discovered in 1984, the four archaeological excavations conducted there by the Hangzhou Institute of Cultural Relics and Archaeology in 2001, 2005-2006,2010 and 2017 have determined the area covered by Deshou Palace.
Following the initial excavations in 2001, a wealth of archaeological relics, including palace walls, access gates, large temple foundations, roads, pools, canals, a rockery and a drainage ditch, have been discovered.
The project will not only restore the palace and landscaped gardens, but will also highlight economic, technological and cultural achievements from that period.
A model for the project. [Photo provided to China Daily]
Zhuo Jun, deputy director of the Hangzhou Municipal Bureau of Gardening and Cultural Relics, said the Deshou Palace site is a rare example from that time in history, adding that it has undergone systematic archaeological research.
The palace gardens incorporated styles used for those at royal residences and gardens in the Yangtze River Delta, the research shows. "The Deshou Palace gardens are also of important cultural and technological value," Zhuo said.
According to a paper published by Sun Peifang, researcher at Zhejiang University of Science and Technology's School of Civil Engineering and Architecture in Hangzhou, gardening technology in China experienced a transition during the Song and Yuan (1271-1368) dynasties.
However, the classical gardens that remain in the country were mainly built in the Ming (1368-1644) and Qing (1644-1911) dynasties, and there are no examples of gardens from the Song and Yuan dynasties.
As the Deshou Palace ruins from the Southern Song Dynasty mainly comprise large-scale garden buildings, the ongoing archaeological and restoration work at the site will fill gaps in the gardens' history during the Song and Yuan dynasties.
Humid weather, abundant rainfall and complex geological and hydrological conditions in eastern China, where Hangzhou is located, pose challenges to protecting the Deshou Palace site.
Lang, from the Hangzhou Municipal Bureau of Gardening and Cultural Relics, said, "As Hangzhou has a high groundwater level and also humid and rainy weather, we are setting up facilities around the site to control the humidity."
In addition to the weather, the location of the palace site, in Shangcheng district, downtown Hangzhou, has been discussed at length. Over 10 remains from the Southern Song Dynasty have been unearthed in Shangcheng, more than at any other place nationwide.
Meng said: "Some areas of the palace site that have not been excavated lie about two to three meters below office and residential buildings and also roads. For fear of potential damage, we have decided against excavating the relics and moving them away.
"We mainly protect the site by using physical methods, rather than chemical techniques-sheltering the ruins to prevent damage from the rain and sun. We also maintain a constant temperature in the exhibition rooms to better preserve the relics."
Due to the special requirements for preservation, work at the site has been constrained for the past two decades, and the venue has not been fully developed and used for many years, according to the Hangzhou government website.
Before the restoration project began, the site was covered by large areas of old residential buildings and parking lots.
Fang Xiaoying contributed to this story.